Loading...

Gig of The Weekend – F-Stop Club

Gig of The Weekend – F-Stop Club

The F-Stop Club is a collective of visual artists who are interested in DIY self-publishing through the creation of Zine making. The Club believes that within the South African visual culture, it is important to have a platform where artists can produce their own work in order to sustain the practice.

DIY self-publishing has become a very important topic of late and the demand for photographers to be a part of the movement has grown.

It is costly to organize traditional books and producing exhibitions in South Africa, so DIY self-publishing becomes a catalyst for emerging artists to share their work in new, innovate and low-priced ways.

Participants:

Nqobile Sithole, Lemogang Matlong, Tommy Rabearivelo and Dumisani Malind

Opening:

Saturday 3 August 2019, 12h00 until 16h30

The Photo Workshop 3rd Floor

Exhibiting participants:

Nqobile Sithole Lemogang Matlong Tommy
Rabearivelo Dumisani Malindi

Facilitators

Alphabet Zoo Nicole Rafiki Dahlia Maubane
withGuest presentation
David 'Slaying Goliath' Tshabalala

Your Review

RATING

3764 VIEWS
0 Likes

Share To

Culture Reporter

Culture Reporter

YOU MIGHT ALSO LIKE
Season 6

Season 6

This season sees traditional forms of art and performance being re-imagined through free-spirited, transdisciplinary collaboration, and the gentle exploration and reiteration of varying forms of labour. As a vital part of our social and economic machinery, the idea of work in its broadest sense is investigated within the context of our turbulent, contemporary, urban lives.

Faces & Phases 13

Faces & Phases 13

In 2019, Faces and Phases 13 embraces a reflective stance to honour some of the milestones reached by this activist project, while acknowledging the long road ahead before full emancipation may be achieved, including the total eradication of hate crimes against members of the LGBTQIA+ communities.

Patrick Bongoy reinvents the wheel in Matter

Patrick Bongoy reinvents the wheel in Matter

Matter draws out the history of rubber as a precious natural resource and its relationship to the colonial past of the DRC and its afterlives. The works reflect on the violent exploitation of labourers who harvest the material, as well as environmental damage that has occurred as a result.

comments
Go to TOP